The installation consists of an archipelago of semi-transparent enclosures displaying fragments ofthe daily life. Each of them is organized around the despotic figure of the bed, which is considered as the symbol, the guarantor, even the heart of everyday life.For the architect, any other aspect or domestic function is only a form of extension derived from this element of furniture. Thus, the canopy bed suggested here appears as the minimum cabin, the basic cell of an hypothetical urbanism in which the functions of the bed would be multiplied and isolated.
