The installation composed of fourteen clay panels questions, according to Alexander Brodsky, the fragility of territories and their perpetual metamorphosis. These panels, hanging at a distance of the wall, seem to float in space, such as suprematist arrangements offering a vision of an abstract and moving landscape, which is either coming into being or in the process of disintegration... Each of these reliefs sculpted in clay could relate to a ruined landscape, assimilating this spectacle to an aerial view of destroyed territories, between an archeological imaginary and war imagery, between contemplation and desolation. These spaces are a multitude of sites of thought, similar to a philosophical meditation on the demise of utopias.
